A woman in a wheelchair reminisces about a moment in her youth when she spotted the Insulindian Phasmid, an otherworldly creature that uses psychic powers to conceal itself as a thicket of reeds. A red-headed boy spews obscenity, throws rocks at the mercenary’s corpse, and prays for the city to burn. There are plenty of characters directly involved in the conflict between the company and the union, but there’s also a broad spectrum of individuals caught in the conflict’s orbit: an old royalist soldier gripes about how the revolutionaries of yesteryear paved the way for the decadence of the present. Drug trafficking may be involved, or it may just be a distraction. The mercenary may or may not have been killed by a band of union dockworkers. The body hanging from a tree turns out to have been a mercenary, working for a shipping company (Wild Pines) that’s currently trying to break the local dockworkers’ strike. Like the best detective fiction, the game’s murder case is really an excuse to dig up the social, political, and personal secrets that led to there being a corpse in the first place. Disco Elysium makes up for this tired cliché by introducing the fascinating post-revolutionary city of Revachol and the peculiar stories embedded in it. Amnesia is a well-worn trope, especially in video games, where it offers players a clean slate for building their own character. This is the opening scene of Disco Elysium: The Final Cut, the newly released version of the 2019 computer roleplaying game from Estonian developers ZA/UM. You still don’t remember your name, though. In the course of your conversation with Garte, the hotel and café manager, you realize several things: you owe a not insignificant sum of money for damages to your hotel room, you are a police officer - a detective - here to investigate a case, and a dead body hangs from a tree behind the hotel - it’s been there for at least a week. You scuttle out the door, make your way downstairs, creep to the angry-looking individual behind the counter. You retreat from the toilet, back into the remains of a hotel room. You’re not sure what’s happened, but you have the nagging sense that there’s some crime for which you must atone. The face you confront is mottled and raw. You make your way to the bathroom, splash water on your face, then stare into the mirror. You climb out of bed, retrieve pants and a shirt from the floor, a tie from the ceiling fan.
Disco elysium communism full#
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